
How It Was Made: OLING – Get On The Floor (Last Night On Earth)
OLING’s (@olingofficial) Get On The Floor EP marks his debut on Sasha’s Last Night On Earth, and it feels like a natural fit for the Scandinavian prod
EDM industry news covering business, festivals, labels, and the business side of electronic music. 50 articles.

OLING’s (@olingofficial) Get On The Floor EP marks his debut on Sasha’s Last Night On Earth, and it feels like a natural fit for the Scandinavian prod

How the music technology industry abandoned 40 years of interoperability, let manufacturers run wild, and turned a simple connector swap into a crisis

Background music is one of those details small business owners tend to treat as a finishing touch, only to slowly realize it shapes the room from the

“Producers now have access to some of the most expressive, cinematic sounds ever recorded, right at their fingertips on the pads.” The post Spitfire A

“It just gives vibrancy and makes songs a bit more imperfect.” The post “I think it’s the most underrated plugin on Ableton Live”: The simple tool Chr

Two artists who remixed Swift’s ‘Opalite’ reveal some of their production techniques, and talk about what it’s like to work with the biggest artist in

Frank Biazzi (@frankbiazzi) made his MOOD debut with Pulsion EP, arriving May 22, 2026 on Nicole Moudaber’s label. The Belgian techno producer has bee

Ramyen launches Mellow Records with Our Story, a release that makes the label’s direction clear from the first record. The French artist has already b

Dharma returns to La Mano’s Sound Du Jour with Home Trip, an EP that connects his background as a trained multi-instrumentalist with the break-driven,

“Streaming has become the dominant model of digital music consumption... This is Juno Download signing off.” The post “The role of the music webstore

At 24, JP Castro has already packed more into his career than many artists manage in a decade. The Brazil-raised producer, songwriter and vocalist has

Matt Caines and Tooker’s “Between Silence” is officially out now on Magnetic Magazine Recordings, and it still feels like one of those deep house reco

Frank Walker’s OASIS feels like a record built around the part of dance-pop that still wants to be big, open, and emotionally direct without losing th

From her LA studio, Lola Bates talks growing up around movie scoring, performing on world tours with rock legends and how a love of live playing influ

Above Photo Cred: Cercle (taken from Ben Böhmer’s set, linked below) Melodic house has become one of the best entry points into modern dance music bec

Reverse Osmosis’ Unable Unstable is one of those releases where the first few minutes tell you exactly what kind of space the producer wants to operat

Fancy owning a deadmau5-signed microKORG, modular gear or Vegas-used mau5head? Joel Zimmerman is clearing out parts of his synth universe. The post de

Raw Main (@rawmain_music) returns to All Day I Dream with Theory Of Love, a four-track EP that marks his first full EP release on the label after earl

Kenji Takashima’s (@kenjitakashima) “Meteor” drops on Pole Folder’s Reworck label, and the release adds another chapter to a career that traces back t

By the time “Knell & Knot” shows up in Corrupted Beauty, the album has already spent a few tracks sitting in heavier emotional territory, so the sligh

Cuba’s Thursday Rumba EP feels like the kind of record that comes from someone who understands how a room changes over the course of a night. The Port

LARSa’s remix of Josh Butler’s “Take Control” has the kind of backstory that makes a record feel a little deeper than the usual remix package entry. T

Sean Roman’s Sweetboi LP feels like the kind of record you make after you have spent enough years in clubs to know that the best records rarely need t

Dunmore Brothers’ “Trust Me” feels like the kind of record that knows the vocal is the whole reason people are going to remember it, so the production

Adam Sellouk and OMRI.’s “Activate” feels like the kind of record that was made for the exact few minutes in a set when the room is already moving and

Riordan’s The Funk EP feels like the kind of two-tracker that comes from being out in rooms enough to know what actually gets a reaction. There is no

CRi makes electronic music that feels personal without getting soft around the edges. The writing has melody, the drums still move, and the best track

Matt Caine and Tooker’s “Between Silence” is one of those deep house records where the title tells you where to start listening. It is not loud about

Tim Lucent’s Lucent Loops Vol. 1 dropped back on May 20 on Non-Friction Records, and the EP immediately puts him in the spotlight as a producer with a

RTIK’s (@rtik_music) remix of Discognition and Vellichor’s “Lillian” feels like the kind of record that comes from someone who knows how to let an ide

The series will broadcast sets from festivals, clubs, and other events. The post Apple Music announces new livestreaming series: Club Live appeared fi

Photos By Leon Kaczmarczyk Marcus Schmahl’s “Parallel Echo” premieres today on Magnetic Magazine’s SoundCloud, arriving one week ahead of the full Fra

SAINTSABIO sits at the intersection of luxury fashion, underground nightlife, punk, rave culture, DJ culture, and the kind of youth energy that rarely

UNTER STRØM make their debut with “Orynth,” arriving May 15 via Breathing Records, and the project brings together two artists with long histories in

Nils Hoffmann sits in a lane where melodic house still feels like songwriting. The synths are precise, the vocals usually carry purpose, and the arran

Leyla Romanova’s “Self-Control” works because it starts from a feeling most people know well: the pressure to react when everything around you is loud

April not only brought Spring with it, but a fresh new batch of fantastic Disco & Funk tracks! Let’s dive into 15 of the best songs that made us groov

ARTBAT records have a very specific kind of impact. The drums hit with festival-scale pressure, the synth lines stay direct, and the arrangements usua

Master MIDI Clock Shootout: Step Audio Tempode vs Sim'n Tonic Nome 2... The post Master MIDI Clock Shootout: Step Audio Tempode vs. Sim’n Tonic Nome I

The Lisbon-based DJ and producer shares her thoughts on sound design, the dream of owning a classic harmonizer and why working in hardware has revolut

RÜFÜS DU SOL’s “Innerbloom” has been one of the group’s defining records for years, and a lot of that comes from how patient the track feels. Released

Lane 8, Massane & barking continues lyrics and meaning starts with “Tripwires” as a song built around memory, anxiety, and the need to feel found by a

Above Image Cred: Olivia Platt Sacha Mattey operates on a side of the music industry that rarely gets direct attention, but shapes how artists scale o

Pycroft served as producer, arranger, and music director on the project The post Why Kaleidoscope Orchestra’s Steve Pycroft studied Skrillex to make t

MikeR steps out with his new single, ‘Up In The Sky.’ Capturing the essence of his signature sound, the release builds on his Progressive House style,

Image Cred: RÜFÜS DU SOL & Boaz Kroon RÜFÜS DU SOL occupy a very specific lane in electronic music because the songs have the scale of live dance musi

Moeaike’s (@moeaike_music) “Lift Me High” arrives via Unreleased Records after months of international club traction, with the track already building

Trying to figure out how to find EDM events near you can be easy if you are only looking for the obvious tour stop. Search the artist name, buy the ti

Attack Editor Eric Brünjes catches up with Juliet Fox for a conversation exploring the realities of building a long-term career in techno while balanc

Roland’s flagship ZEN-Core synth engine arrives on iPad with thousands of sounds and deep synthesis tools, fully unlocked in a limited-time free launc
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