Dunmore Brothers And Ben Westbeech Keep The Soul Right Up Front On “Trust Me”

Dunmore Brothers’ “Trust Me” feels like the kind of record that knows the vocal is the whole reason people are going to remember it, so the production stays tight around that idea instead of trying to bury it under too many club tricks. Lucas and Louie Dunmore make their Solid Grooves debut here, and bringing in Ben Westbeech gives the track a voice with enough history and presence to carry the hook without needing to oversell the moment. That is the main thing with this one. It has the bassline, the sweep, the groove, and the overall Solid Grooves pressure you would expect, but the vocal keeps the record from turning into a generic tool. Westbeech has always had that ability to sit inside house music in a way that feels musical before it feels functional, and “Trust Me” leans into that without turning soft. The Dunmore Brothers have been building a sound that pulls from a wide range of house music, and this track feels like a good first step into the Solid Grooves catalog because it keeps the writing simple, direct, and useful. It does not feel like a duo trying to force a big debut statement. It feels like two producers who know the vocal is strong, know the groove is there, and know the record does not need much else if those two things are handled correctly. Ben Westbeech Gives The Record Its Center The vocal is what makes “Trust Me” worth coming back to. Westbeech does not have to push too hard because the line already has the right amount of confidence in it, and the Dunmore Brothers leave enough space for that delivery to do the heavy lifting. That space matters because a lot of modern house records get too impatient. Every eight bars brings another riser, fill, stab, or breakdown, and the whole thing starts feeling like it was built to keep attention rather than hold it. “Trust Me” is better when it stays locked into the bassline and lets the vocal sit on top with a little room around it. The melodies sweep in and out, the drums stay firm, and the low end keeps the track moving without making everything feel overly packed. It is club music, clearly, but it still has enough soul in the middle to feel like a song and not a folder filler. A Solid Grooves Debut That Keeps It Simple For the Dunmore Brothers, this is the kind of label debut that makes sense because Solid Grooves has always been strongest when the record has a clear hook and a bassline that does the job fast. “Trust Me” has that. It gets into its pocket quickly, and it does not waste much time trying to explain itself. Lucas and Louie have been putting out expressive, dancefloor-focused records while building their presence behind the decks, and this one feels like it comes from that same headspace. It is made for the floor, but it still has enough vocal identity to carry outside the club. That is also where Westbeech’s involvement really helps. His background runs through house, soul, and club culture, and his voice gives the track a little extra age and character without dragging it backward. The result is a record that feels easy to use in a set, but still has enough personality to make people ask what it is afterward. “Trust Me” is out now via Solid Grooves Records. Dunmore BrothersInstagram / Soundcloud / Spotify Ben WestbeechInstagram / Soundcloud / Spotify Solid GroovesInstagram / Soundcloud / Facebook The post Dunmore Brothers And Ben Westbeech Keep The Soul Right Up Front On “Trust Me” appeared first on Magnetic Magazine.