What to See at NAMM 2026: Floor Highlights Producers Absolutely Cannot Miss

Walking the floor at NAMM 2026 always turns into a reminder of how much is happening all at once, and this year already feels packed with gear, software, and ideas worth spending real time with. I put this list together as a running snapshot of the booths, products, and demos that caught my attention during the show or in some press releases before the show, especially the ones that feel genuinely useful for producers, engineers, and artists right now. I’ll be updating this list throughout the week as we keep finding more interesting releases, conversations, and hands-on moments across the show floor at the NAMM Show 2026. Check back often, since some of the most compelling discoveries tend to happen between scheduled appointments and unexpected stops. Spots We’re Hitting At A GlanceDonner – Booth #6423Roland – Booth #202ABTelegrapher Speakers at NAMM 2026 – Booth 15122LANDRGibson and KRK at NAMM 2026 – Booth 208A, Creator Lounge 303 BCD, KRK Booth 1141 Donner – Booth #6423 MIYAVI Signature Pedals I found Donner’s Double Swords pedals super cool because this feels like a clear step into a new tier for the brand, especially with MIYAVI involved at the creative level. I’m looking forward to checking these out in person since the Rage Breaker and Dimension Weaver cover a wide range of drive, modulation, and space effects without turning into menu-heavy multi-units. From a producer and guitarist standpoint, I like that each circuit has dedicated controls, which suggests hands-on shaping rather than preset chasing. I think players should be paying attention to how portable and self-contained this setup is, since MIYAVI is clearly aiming at rigs that work anywhere, including direct recording and mobile setups. This feels like a booth worth stopping at if you care about compact gear that still gives you serious control. HLX-500 Headless Guitar I’m excited to see the HLX-500 at NAMM because Donner keeps refining its headless designs in a way that feels practical rather than flashy. I like that this guitar focuses on tuning stability, balance, and portability, which are real concerns for touring players and home producers who track guitars in small rooms. The integrated locking bridge and headless hardware suggest faster string changes and less time spent fighting tuning issues, which matters in real-world sessions. I also think the SSH pickup layout makes this appealing for producers who need one guitar to cover multiple styles without swapping instruments. This is a must-see booth if you want to get hands-on with a travel-friendly guitar that still feels complete. Roland – Booth #202AB Roland TR-1000 Rhythm Creator I’m really looking forward to seeing the TR-1000 at the Roland booth because this feels like a rare moment where the company is moving its core drum machine line forward in a meaningful way. I like that Roland brought true analog voices back into a modern unit, especially with circuits drawn directly from the 808 and 909, while still giving producers access to digital tools like FM percussion and PCM sounds. From a production standpoint, I think this hybrid approach makes a lot of sense since it supports classic programming habits alongside newer workflows. I’m especially curious to get hands-on with the performance-focused interface, since that often defines how much a drum machine earns its place in daily use. This is a booth I’d recommend stopping at if rhythm programming sits at the center of your work. Roland CR-78 Software Rhythm Composer I’m excited to check out the CR-78 software because this brings a historically important rhythm machine into modern DAW sessions without the friction of vintage hardware. I’ve always appreciated how distinctive the original CR-78 patterns sound in records, and it’s great to see that character recreated with ACB modeling while adding modern sequencing and sync options. From a producer angle, having individual sound control and tempo sync makes this far easier to integrate into current projects. I also think the pricing and Roland Cloud access make this especially appealing for producers who want classic rhythm textures without committing to physical gear. This feels like a must-see for anyone working primarily in the box. BOSS Effects Pedals Update I’m planning to spend time with the updated BOSS Effects Pedals plug-in because this keeps expanding into a very practical effects suite. Adding the DM-2 Delay, OD-2 TURBO OverDrive, and DC-2 Dimension C fills in some important gaps for guitar and synth processing inside a DAW. I like that Roland continues to grow this library methodically rather than flooding it with half-finished models. From my perspective as a producer, having these effects in one consistent interface makes recall and workflow much smoother. If you already rely on BOSS pedals in hardware form, this booth is worth visiting to see how closely the software tracks that experience. Telegrapher Speakers at NAMM 2026 – Booth 15122 I’m legit stoked to swing